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	<title>Draw Like A Pro &#187; Animals</title>
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	<link>http://www.drawlikeapro.com</link>
	<description>Are you ready to become a real artist ?</description>
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		<title>The five volumes</title>
		<link>http://www.drawlikeapro.com/the-five-volumes-258/</link>
		<comments>http://www.drawlikeapro.com/the-five-volumes-258/#comments</comments>
		<pubDate>Mon, 22 Feb 2010 13:39:59 +0000</pubDate>
		<dc:creator>Piet</dc:creator>
				<category><![CDATA[Animals]]></category>
		<category><![CDATA[animal]]></category>
		<category><![CDATA[drawing]]></category>
		<category><![CDATA[method]]></category>
		<category><![CDATA[observation]]></category>

		<guid isPermaLink="false">http://www.drawlikeapro.com/?p=258</guid>
		<description><![CDATA[Drawing animals is a captivating subject. Isn&#8217;t it considered the most ancient type of visual art? Actually, as Piet Herzeel points with relevance, what is the most important for this sort of representation? Resemblance to the subject or the specific attitude of the animal ?

Therefore, the artist must ask himself the right questions in his [...]]]></description>
			<content:encoded><![CDATA[<p><a href="/tag/drawing/">Drawing</a> animals is a captivating subject. Isn&#8217;t it considered the most ancient type of <strong>visual art</strong>? Actually, as <a href="http://private.signus.fr/en/">Piet Herzeel</a> points with relevance, what is the most important for this sort of representation? Resemblance to the subject or the specific attitude of the animal ?</p>
<p><span id="more-258"></span></p>
<p>Therefore, the artist must ask himself the right questions in his observation work. But the animal of your choice, whatever it is, will not pose for you. <a href="http://private.signus.fr/en/">Piet Herzeel</a> is giving us a method that will allow you to grasp the essential shape of your subject before he takes a position of no interest for your drawing.</p>
<p>The whole method is described in the « Discover » section of the module: « THE FIVE VOLUMES ».</p>
<p>First, we must start with an observation work of the five specific volumes of your animal. These first outlines will give you the essential of your subject&#8217;s aspect. You will be able to touch it up later whatever  position your animal decides to take.</p>
<p>Before practicing on the animals around you, go to the « Practice » chapter in order to make a first attempt on the rocky mountain goat. Piet Herzeel gives you step by step details on what your eye must look for.</p>
<p>But that&#8217;s not all. You will find some extra training exercices with the sketch tool supplied in the module. Several animals of different species to <a href="/tag/drawing/">draw</a> in a limited amount of time. A little bit of stress at the beginning because of the countdown but you will be asking for more after you&#8217;re done.</p>
<p>With this method, you can show <a href="http://private.signus.fr/en">Piet Herzeel</a> what you can do in the « drawings to do «  gallery.</p>
<p>You can pick your own model or one of those displayed on <a href="http://www.signus.fr">Signus</a>.</p>
<p>The question is: will your sheet be big enough ?</p>
<p>This module is full of surprises. A present is actually waiting for you there and one last advice if  you haven&#8217;t checked it out yet: go to Gallery/museum on <a href="http://www.signus.fr/test-artiste.php?lang=1">Signus</a> and admire  « the young hare » by Dürer. The observation work is amazing.</p>
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		<title>Animals and wildlife</title>
		<link>http://www.drawlikeapro.com/animals-and-wildlife-16/</link>
		<comments>http://www.drawlikeapro.com/animals-and-wildlife-16/#comments</comments>
		<pubDate>Sat, 14 Jul 2007 10:03:44 +0000</pubDate>
		<dc:creator>Piet</dc:creator>
				<category><![CDATA[Animals]]></category>
		<category><![CDATA[artists]]></category>
		<category><![CDATA[horse]]></category>
		<category><![CDATA[tips]]></category>

		<guid isPermaLink="false">http://www.drawlikeapro.com/?p=16</guid>
		<description><![CDATA[Form the earliest days of mankind, we have drawn images of the animals we have hunted, admired or feared. From the primitive cave drawings to huge        bronze statues of galloping horses such as those in the Fountain of Trevi.        Capturing the [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignright" src="http://www.drawlikeapro.com/_i/anatomy.jpg" alt="Animals" width="150" height="201" />Form the earliest days of mankind, we have drawn images of the <a href="/category/animals/">animals</a> we have hunted, admired or feared. From the primitive cave <a href="/tag/drawing/">drawings</a> to huge        bronze statues of galloping horses such as those in the Fountain of Trevi.        Capturing the movement and power these animals has fascinated us. Artists        like<a href="/famous-artists-59/#stubbs"> George Stubbs</a> became masters in <a href="/tag/painting/">painting</a> horses. The key is to observe        and keep looking.</p>
<div class="p1">
<h2 title="How to draw a horse">Drawing the volumes</h2>
<p>If you want to draw a horse, first look at its profile, then divide the          animal into five separate volumes, the head, neck, shoulder, abdomen and          rear.</p>
<div><img src="http://www.drawlikeapro.com/_i/horse.jpg" alt="How to draw a horse" width="250" height="184" /></div>
<p>The first three volumes to <a href="/tag/drawing/">draw</a> are the shoulder, abdomen and rear. Once          you have drawn these in the correct proportions then you can continue          with the neck and head.</div>
<div class="p1">
<h2 title="Anatomy">Learn the anatomy</h2>
<p>If you understand how the bones are joined together, then you sketch          will make sense and you will be able to show movement. Remember that bones          are limited in the directions and amount in which they can turn. The posture          of the animal must always look natural. Even if there is no motion in          the drawing, perhaps it is a cat sleeping on a chair, you have to respect          the way the body can bend and twist.</p>
<div><img src="http://www.drawlikeapro.com/_i/animal.jpg" alt="Horse head and neck" width="250" height="276" /></div>
<p>The position and stance will depend on the species in questions and          you should try to observe how the animal you are <a href="/tag/drawing/">drawing</a> walks, runs and          its general behaviour.</p>
<div><img src="http://www.drawlikeapro.com/_i/elephant.jpg" alt="Animal movement" width="250" height="172" /></div>
<div>This article is an extract of the <a href="http://www.signus.fr/test-artiste.php?lang=1">Signus</a> <a href="http://www.signus.fr">online drawing course</a></div>
</div>
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